Skip to content

«Backslash Festival 2026»

MusicDancePerformanceParty

Two nights in which the boundaries between performances, live electronic acts and club culture are blurred.

  • Fri 02/1020:00–01:00

    Nordflügel, Südbühne, Halle Ost, Halle West, Stall 6

  • Sat 03/1020:00–06:00

    Nordflügel, Südbühne, Halle Ost, Halle West, Stall 6

Rhyw im Sog von ultramodernem Techno, Broken Beats und Sounds, die den Dancefloor in andere Welten verschieben. Copyright: Backslash Festival Archiv
  • Steplessly accessible

The Backslash Festival presents a carefully curated selection of live electronic acts, performances, DJ sets and visual interventions. Over the course of two long evenings, 25 artists from the international, national and local scenes will take over the spaces at Gessnerallee and bring them to life in a variety of ways. The result is a captivating atmosphere that invites you to stay until dawn.

Since 2016, the Backslash Festival has been presenting artistic projects at the intersection of performing arts, club culture and visual arts. The focus is on works that transcend disciplines and create aesthetic and formal synergies.

Timetable

Friday

20:00
Stefanie Egedy
Halle West
21:00
Ohm Sweet
Stall6
22:00
Ula Liagaitė
Nordflügel
22:15
STREIKTHROUGH
Halle Ost
23:00
36birds
Nordflügel
23:30
Piezo & upsammy present Eerie Enterprise
Halle Ost

Saturday

21:00
Mélissa Guex & Katerina Andreou
Halle West
21:00
francine satu
Stall6
22:00
Bast Hippocrate & William Cardoso
Nordflügel
22:15
kris mess
Halle Ost
23:00
margaretha jüngling, Alina Arshi & Luc Häfliger
Nordflügel
23:30
crp
Halle Ost
00:00
Aa Sudd
Nordflügel
01:00
Souzo
Nordflügel
01:15
Buttechno
Halle Ost
02:00
ophélie
Nordflügel
02:15
Martín M. Wollmann & Yin Haolong
Halle West
04:00
MÂNAA b2b Caramelo Gabanna
Nordflügel

Accessibility information

  • Step-free Access

  • Age: For ages 18 and up

  • Awareness: An awareness team will be on site throughout the whole event. A safe space is provided as a place of retreat.

  • Sound: The volume can reach up to 100 dB. In Halle Ost, Halle West, and the Nordflügel, intense and clearly feelable bass is used at times.

  • Lighting: In Halle Ost and the Nordflügel, stroboscopic effects as well as rapid changes between bright and dark light may be used temporarily. No stroboscopic effects are used in Halle West and Stall6.

  • Haze and Fog: In Halle Ost and the Nordflügel, clearly noticeable haze and fog may be used at times. Only light haze is used in Halle West and Stall6.

  • Quieter Space: Stall6 is designed as a quieter space with fewer sensory stimuli and additional seating. There are no loud sounds there, except on both evenings from approximately 9:00 PM to 10:00 PM during the live acts.

  • Further Information: As the festival is still in development, information regarding the sensory stimuli of individual performances will be continuously updated on the respective event pages.

Performance by Ula Liagaitė

  • Sound: Deep bass frequencies and a subwoofer are used at times. There may also be sudden changes in sound.

  • Lighting: The room is lit with bright, yellowish light throughout.

  • Audience and interaction: Everyone is free to move around the room. This may lead to light-hearted and spontaneous interactions between the performers and the audience.

Performance by Bast Hippocrate & William Cardoso

  • Sound: Ambient music is played throughout the performance.

  • Lighting: The room is lit with bright, yellowish light throughout.

  • Content notes: During the performance, one dancer draws blood from himself using a syringe, whilst the other dancer assists him. Afterwards, both smear the blood onto their faces. During this scene, a safe distance from the audience is maintained and the syringe is disposed of afterwards.

Performance by margaretha jüngling, Alina Arshi & Luc Häfliger

  • Lighting: At the beginning of the performance, it is very dark. The room is initially lit by only two light sources. No stroboscopic or flashing light effects are used.

  • Sound: At one point, the performance can become very loud. It is currently not yet certain whether there will be rapid volume changes.

  • Audience and Interaction: Food is offered to the audience during the performance. Audience members are not required to accept or eat the offered food. One performer moves through the audience using an oversized, long braid as a prop. As a result, it may occasionally be necessary to make way briefly.

  • Scents and Food: No targeted or strong scents are used. Edible props are used, including sweet and savoury ‘soil’ containing gluten and dairy products. Because of this, faint scents may be noticeable.

Performance by Martín M. Wollmann & Yin Haolong

  • Lighting: Stroboscopic effects are expected to be used in the performance. There are also very dark moments.

  • Sound: Loud, intense sounds are expected to be used.

  • Audience and Interaction: Based on current plans, no direct interaction with the audience is planned. As this is a new production, this is not yet finalized.

  • Further Information: The performance is still in development. The details regarding sensory stimuli will be updated after the rehearsal phase if any changes occur.

AWARENESS

We want everyone at BACKSLASH Festival to feel as comfortable and safe as possible. We all share responsibility for how we shape this space together.

RESPECT EACH OTHER’S BOUNDARIES
Be mindful of your own boundaries and respect those of others. Boundaries are individual and can change at any time.

CONSENT IS KEY
Only yes means yes. Silence, hesitation or a lack of response are not consent. Ask before touching someone, dancing closely with them or seeking physical intimacy. Consent can be withdrawn at any time.

NO DISCRIMINATION
Discriminatory, abusive or disrespectful behaviour has no place here. Racism, antisemitism, sexism, ableism, queerphobia, transphobia and other forms of discrimination will not be tolerated.

YOUR BOUNDARIES ARE YOURS
You decide when your boundaries have been crossed. Your experience will not be questioned, and you do not need to justify yourself when asking for support.

WE ARE HERE FOR YOU
An Awareness Team is present throughout the festival. You can recognise them by their glowing tags.

If you feel uncomfortable, experience or witness something, or need support for any reason, you can approach the Awareness Team at any time.

You can also reach us through the Festival Team or the bar.

SAFER SPACE
There is a quiet retreat / Safer Space available. If you would like to use it, please approach the Awareness Team, Festival Team or bar staff.

You do not need to explain or justify why you need support or would like to use the Safer Space.

PHOTOS & VIDEOS
Photos and videos of performances and artists on stage are allowed. Please make sure that other guests or their faces are not visible in your photos or videos. Respect the privacy of the people around you.

TAKE CARE OF YOURSELF AND EACH OTHER.

  • The Backslash Festival has been running since 2016.

    It is a major event.

    The festival lasts for two evenings.

    The festival showcases a variety of art forms.

    There is dance and music, just like in clubs.

    There are DJ sets, live music and performances.

    There are also colourful visuals and lights.

    25 artists are showcasing their work.

    They come from different countries and cities.

    Some of them are also from Zurich.

  • Artistic Direction & Concept, Co-Curation Programme:
    Alexandre Gaeng
    Production & Co-Curation Programme:
    Emmanuel Küng
    Residency & Co-Curation Programme:
    Stella Cristiana
    Residency & Co-Curation Programme, Communication:
    Laura-Maria Drage
    Management & Co-Curation Programme:
    Jonatan Niedrig
    Technical Director:
    Emiliano Larrea
    Scenography:
    Yu ɛŋɬɛཞ & Jehane

  • Backslash Festival is rooted in contemporary practices across live and experimental electronic music, performing arts and club culture. It approaches sound not as an isolated medium, but as something entangled with bodies, images, codes, and spatial conditions. Performance unfolds as a situation, constructed, unstable, and shared.

    Curatorially, the festival follows a process-oriented approach. Categories such as club music, composition, performance or audiovisual art function as points of departure rather than definitions. They offer temporary orientation, while remaining open to distortion and overlap. Genres gradually erode through shifts in duration, intensity, spatial arrangement, and performative presence.

    Each edition gathers artists working across formats, from live sets and performances to installations and collaborative projects. Some works appear for the first time, others take shape specifically in relation to the festival’s context.

    Backslash Festival exists in a liminal space between a club night, a contemporary theatre and a niche concert program, without fully settling into any of them. It pays attention not only to how creations are made, but also to how they are experienced — physically, collectively, and in relation to its surroundings.

    For two nights, the festival builds a temporary environment for encounter and transformation. A space where practices intersect, expectations shift, and where people move, lose focus and find it again. Nothing fully locks into place, and that’s kind of the point.

    Since 2016, the transdisciplinary Backslash Festival has been presenting works that move between and beyond performing arts, club culture and visual arts. The festival is organised by the non-profit association Tokyo Data Collective, in co-production with the Theater Gessnerallee.

Copyright: Backslash, Festival Design: Moritz Furger & Romain Salomon

More Shows

To the programme overview