Neil Höhener, Nadika Mohn: «The In Between»
«The In Between» explores the body as a canvas for identity, between and collective expression. Inspired by pop culture and authenticity, the choreography moves from artificial rigidity to organic vitality & reflecting the tension between surface and essence.
DAS FLAMMENDE FAGOTT: «I came for you»
With body, sound and movement, «I came for you» explores the power structures and political dynamics of mainstream pornography. Spaces between identification, objectification, intimacy and violence. The tension between hegemonic views and emancipatory appropriation.
Naomi Meyer: «Circle of Connection»
Naomi Meyers «Circle of Connection» combines cyr wheel, dance and acrobatics. Her performance celebrates the power of friendship, the wild spontaneity of life and the magic of the moment - humorous, playful and full of emotion.
commun-i-care: «Spoken Word»
When does sound become word, word become movement? When words fail, what other forms of communication can we use, as artists and as people? In the interdisciplinary creation, the artists examine similarities, differences and transitions between sound, language and movement.
Something divine: «Touch me Tiger»
Touch me Tiger is a physical theater piece merging from the observation of the self that is constantly influenced by predetermined forms of being. The collective Something Divine consist of three performers that meets in self ironic common space to share stories present in their female born bodies.
Eckstein/ Barral: «Die Erschöpfungsgeschichte»
The theatrical novella «Die Erschöpfungsgeschichte» attempts to develop a utopian alternative to the Western myth of creation myth to formulate a utopian alternative to the western idea of growth and renewal. The musical reading is a work in progress - we are showing an intermediate stage.
Antonia Joséphine Meier: «Bissig»
Two vampires meet. One asks: ‘How are you?’ The other replies: ‘You bite your way through...’ ' Recently, the actress Antonia J. Meier learnt that she is a vampire. Because not quite sure what to do with this diagnosis, she went in search of a stage.
Martin Bas: «From the Depth, They who Breathes»
They who breathe, can’t hear the whispers of the buildings. They who don’t breathe, have their words come from the rubble. A need to reach out to friends in powerlessness in the face of destruction, and the conflicting desires stirred by the collapse of the buildings on Rue d’Aubagne in Marseille.
