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«Residue of the Heart»
Jalalu-Kalvert Nelson und Studio Dan

Music

A combination of ritual and mythical elements as well as avant-garde art practices from the 70s and 80s: Ensemble Studio Dan performs with Jalalu-Kalvert Nelson his compositions and those of Meredith Monk.

  • Sat 19/04 20:00 – 21:30

    Halle Ost

Copyright: Jalalu-Kalvert Nelson

We all shall suffer
The residue
Of the killing
The madness.
We all shall suffer
The residue
For a long time to come
Even for the rest of our
Lifetime.
It will be our new
Human-heritage
That will be an eternal
Blight on our souls.
We will all live in the new world
Of this residue.
No way to escape.
It will become the air
That we breathe.

- Jalalu Kalvert-Nelson

Anyone who has crossed paths with Jalalu-Kalvert Nelson will never forget the warmth and sincerity of the great heart that greets you. The composer and trumpeter, who grew up in Oklahoma and now resides in Switzerland, seems to possess an endless wellspring of energy — energy he channels into chamber music, theater scores, performances, and countless stories. Whether Meredith Monk exhibits the same openness and warmth, we cannot say. But what is certain is that she, especially as a dynamic performer of her own works and also as a composer, fuses ritual and mythical elements with practices of avant-garde art from 1970s and 1980s New York — a point of connection between the two featured artists.

Information on accessibility and language

The performance is a predominantly acoustic concert and not speech-based.

About the artists

  • Jalalu-Kalvert Nelson
    Born in Oklahoma City, Oklahoma, Jalalu-Kalvert Nelson studied composition at Indiana University with John Eaton and Iannis Xenakis and with Gunther Schuller and Jacob Druckman at the Berkshire Music Centre, Tanglewood. He has received numerous grants, including from the National Endowment for the Arts, Foundation for Contemporary Arts, New York Foundation for the Arts, Levedo Foundation, Fonds Voor Skeppende Toon Kunst (NL) and many others. He has been commissioned by the Brooklyn Philharmonic, Oklahoma Symphony, Southwest German Broadcasting Orchestra, Kronos Quartet, Ensemble Paul Klee, SUISA, Pro Helvetia, Wien Modern, Broken Frames Syndicate, Grow String Quartet, Wolf Tone Duo, Mondrian String Trio, Ensemble Aventure, among others. Nelson is also the author of a collection of essays and poems entitled ‘Words by Memory and Other Words’ and has lived in Biel since 1994.

    Recent premieres include Wien Modern, Lucerne Festival, Forward, Lucerne Summer Festival, Rainy Days Festival. Nelson's work ‘Jim Is Still Crowing’ for trumpet and ensemble was recently performed in Frankfurt, Lucerne, Luxembourg, Brooklyn, Utrecht and The Hague. His latest work ‘Der Neue Frühling’ for the Luzerner Kantorei, Luzern Symphony and amateur music ensembles as well as solo trumpet will be premiered under his direction at the KKL Luzern on 11 May 2025. His music theatre piece ‘VOICESSBETWEENTHESHADOWSBETWEENTHEVOICES’ will be performed at the Bern Music Festival in September this year and at the Walcheturm Zurich.

    Studio Dan was founded in 2005 as a large ensemble of the JazzWerkstatt Wien. Over time, the group evolved into a flexible instrumental ensemble and cross-genre collective.

    Studio Dan's vision extends far beyond merely performing music: Guided by the belief that artistic work can provide a meaningful counterbalance to reactionary, nationalist, and capitalist tendencies, the group takes a thoughtful and deliberate stance. They develop educational formats, perform in public spaces, produce sophisticated works for young audiences, and create networks that reach well beyond the art scene. The ensemble has a particular interest in artistic positions that consciously challenge current trends in art and music.
    From its inception, Studio Dan has embraced a heterogeneous composition, both in terms of the artistic backgrounds of its members and in age and gender diversity.

    For over 15 years, the collective has commissioned works from artists spanning the widest range of aesthetic fields. Collaborators include representatives of the younger generation, such as Sonja Mutić, Oxana Omelchuk, Sam Gryllus, Juan Pablo Trad Hasbun, Christof Ressi, Thomas Wally (composition), Karolina Preuschl (text), Eva-Maria Schaller (dance), Melanie Hollaus, and Lukas Schöffel (film), as well as renowned figures across diverse disciplines like Anthony Coleman, Mark Fell, Vinko Globokar, Ingrid Laubrock, George Lewis, Wolfgang Mitterer, Julia Purgina, Jalalu-Kalvert Nelson, Elliott Sharp, and Manos Tsangaris. In 2024, Studio Dan appointed Xizi Wang as its first Ensemble Conductor.
    Studio Dan performs internationally at prestigious venues such as the Elbphilharmonie Hamburg, Roulette in New York, the National Forum of Music in Wrocław, and Cankarjev dom in Ljubljana. The group has also been featured at festivals including the Wiener Festwochen, Wien Modern, musikprotokoll at steirischer herbst, and La Strada Graz.

Credits

  • Violonchello solo:
    Maiken Beer
    Violins:
    Sophia Goidinger-Koch, Jacobo Hernandez
    Viola:
    Martina Bischof
    Contrabass:
    Manuel Mayr
    Flutes:
    Thomas Frey
    Clarinets:
    Theresa Dinkhauser
    Trumpets:
    Jalalu-Kalvert Nelson, Damaris Richerts
    Trombone:
    Dankiel Holzleitner
    Piano:
    Michael Tiefenbacher
    Percussion:
    Raphael Meinhart
    Conduction:
    Xizi Wang

Studio Dan Photo, Copyright: Ditz Fejer

Copyright: Jalalu-Kalvert Nelson

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