Interview
Komisch, traurig, politisch – Audiodeskription und Drag
Noa Winter, queere*r und behinderte*r Dramaturg*in an der Gessnerallee, spricht mit der queeren, blinden Co-Leitung Amelia Lander-Cavallo der Company Quiplash über ihre Show «Unsightly Drag», über integrierte Audiodeskription und Relaxed Performance.

«Unser Ziel ist es, einen sicheren Raum zu schaffen für diejenigen, die Schwierigkeiten haben, sichere Räume zu finden.» Ebony Rose Dark, Drag-Künstler*in (links) und Amelia Lander Cavallo, Co-Leitung Quiplash. Copyright: Chris Andreau
«Wenn in die Show keine Audiodeskription eingebaut ist, kann ich meine Arbeit nicht machen.»

Infos zu den Künstler*innen
More articles
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From Rana Yazaji
We regularly collaborate with editorial offices and other projects in the form of secondary publications for our newspaper. This time, cultural scientist and cultural manager Rana Yazaji describes her work in the context of artasfoundation. She provides insights into the complexity of the work of artists in conflict regions. Read
«Do you have Armenian ancestors?»
9 July 2025
From Rana Yazaji
We regularly collaborate with editorial offices and other projects in the form of secondary publications for our newspaper. This time, cultural scientist and cultural manager Rana Yazaji describes her work in the context of artasfoundation. She provides insights into the complexity of the work of artists in conflict regions. Read

‘through sounds / among words / in company’
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From Team Gessnerallee
As part of an exhibition Tim Zulauf/KMUProduktionen presents a three-part book project on 16 performances from 22 years: 5 video works open up a moving panorama - from Venice's Isle of the Dead to the care and street prostitution debate surrounding Zurich's sex boxes. Weekly letter #39 Read

‘I love the spotlight’
21 May 2025
From Team Gessnerallee
‘Begehren’, the latest play by LAB Junges Theater Zürich, premieres at Gessnerallee at the beginning of June. Author Anna Miller spoke to three players about life in and outside of the theatre. Weekly letter #38 Read